face to face by miguel allen from portugal

the project makes use of stencil graffiti, overlapping different elements of the laughing cow's face with other sparse images from the bovine universe. this overlapping functions as a deconstruction of the original face, and the relation between the different elements (some mirrored) creates a loud, joyful and moving image. it is an eighties warholian pastiche reworking the brand's iconic universe.