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Prostoria Net installation & armchairs were extended on the lawn in front of the Meštrović Pavilion like a large piece of urban furniture as a gift to Zagreb residents. Design: Numen/ForUse

 

It comes as no surprise that Prostoria has, in the space of ten years, grown from being a small manufacturer of upholstered furniture into a formidable industrial operation based on a philosophy of research-based design where sustainability is embedded in the design process. This exhibition, celebrating 10 years of rapid development of Prostoria as a successful international design brand, presented the notion of furniture design as a demanding technological process of development which, in addition to functionality and ergonomics, also focuses on comfort as an important factor. For the “Prostoria 10” project, a large part of the content was originally created – from the photographs related to the “Revisiting Architecture” project (art direction by Biro), which is connecting the values of modernist architecture of Zagreb with the design language of Prostoria’s products, all to way to the “Art in the Factory” set of art installations created by the sculptor Anđela Vilić, made from remnants of the production materials, and the “The Essence” sculptures created by the Boir studio, which present natural materials and master skills present in Prostoria. The exhibition was divided into 10 rooms, and it ended in the “Bacva” gallery, which is marked by number 10 and whose theme was “Makers at the Core”, where, in addition to a short selection of Prostoria’s designs, all 233 employees of this brand were presented in an impressive animation. The exhibition is also accompanied by a short film titled “Prostoria 10”, which shows the development of Prostoria. Prostoria was born into an industry that did not have a natural leader and succeeded, with time, to win that position for itself. It grew on the ruins of a once powerful Croatian furniture industry, propelled into decline by the transition from social ownership to free-market capitalism. Prostoria decided to base its manufacturing culture on its own previous industrial heritage. “Prostoria’s industrial base, regardless of how big it may have grown, remains in essence a creative workshop led by craftsmen who have grown to become masters in their given fields. Over the years our craftsmen have learned from our designers, and our designers have learned from our craftsmen, frequently over the course of collaborative projects that may last months or years. What has arisen from this is far more than just a line of furniture products. It is a blend of teamwork and living knowledge, and as such lies at the heart of all of Prostoria’s activities. Although it was the importance of design that radically defined our product portfolio and the identity of the brand, we continue to regard design as a tool for ensuring both the authenticity and the quality of the product rather than an end in itself. “ – highlighted Tomislav Knezovic, Prostoria’s CEO.

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“Makers at the Core” as the final “10th” category of the exhibition featuring a short selection of Prostoria’s designs and all 233 employees presented in an animation. Photo: D. Blazevic

 

 

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Design process is featured with Trifidae armchair (right). Material’s Essence sculptures reflect the use of materials of natural origin & manufacturing skills (design: Boir studio).

 

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Revisiting Architecture editorial (art direction: Biro) is connecting the values of Zagreb’s modernist architecture with the design language of brand’s products. RA photos: M. Mihaljevic, J. Zivkovic

 

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Art in the Factory – art installations created by the sculptor Andjela Vilic are made from remnants of the production materials in Prostoria’s factory.

 

 

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Oblique easy chair in the setting of Prostoria 10 exhibition outdoor scenery highlighted by the architecture of the Mestrovic pavilion in Zagreb. Photo: Vanja Solin

 

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The exhibition was designed by Croatian studio Grupa and the visual identity by Swedish agency Kurppa Hosk. Image features new Echo modular sofa (Grupa). Photo: D. Blazevic

 

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New Klaster modular sofa serves as basic settee or a sofa-bed. Design: Numen/ForUse. Photo: D. Blazevic

 

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“Makers at the Core” as the final “10th” category of the exhibition featuring a short selection of Prostoria’s designs and all 233 employees presented in an animation. Photo: D. Blazevic

 

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Prostoria’s extraordinary outdoor world in the Mestrovic Pavilion (1938). The building is a Home of Croatian Visual Artist, designed by Ivan Meštrović, a Croatian sculptor, architect and writer.

 

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Prostoria Net (Numen/ForUse) was a gift to the people, but also a creative inspiration exploring new ways of socializing. Photo: Domagoj Blazevic

 

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Catalogue Prostoria 10 features the insight into the brand and its collection. Visual communication was designed by Kurppa Hosk.

 

 

project info:

author site: https://www.prostoria.eu/en/