daniel libeskind composes gemma sofa for moroso with asymmetrical facets

 

 

 

daniel libeskind considers design to be an exercise in small architecture, whereby ‘the landscape is replaced by the definition of a space and the population density by the single individual‘. his ‘gemma’ sofa for moroso expresses this notion, standing as a composition of asymmetrical sharp edges derived from 3D shapes — offset by the softness of its upholstery. the seating piece was developed from the idea of contrast, and the perception gained from interpreting a form which is the opposite of what one would usually expect. making its debut at the 2015 salone del mobile, the multi-faceted profile is both reminiscent of a precious stone, and the typical geometries of 15th century tapestries. daniel-libeskind_gemma_moroso_designboom_007
‘gemma’ is a composition of asymmetrical sharp edges derived from 3D shapes
     

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the profile is reminiscent of a precious stone, and the typical geometries of 15th century tapestries
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small model prototype of ‘gemma’

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daniel libeskind’s ‘gemma’ sofa on show at the moroso stand during milan design week 2015
image © designboom