the name ‘cut armchair’ directly reflects the conceptual form of the chair which is made-up of four consecutive, vertically cut autonomous parts. you can acquire a real sense of the chair’s structure only when you relate its geometric cut form to its baseline and see the pieces standing individually. the chair was designed by filippo gezzhani, for the home key’s ‘simple collection’.
'there is no real, defined space, there’s just the reflection’ – designboom speaks with Hermès artistic directors charlotte macaux perelman and alexis fabry.