cosentino's hybriq collection brings radical sustainability to the surface

with its highly innovative hybriq technology, the family-run spanish surface specialist cosentino makes a radical contribution to the circular economy – and offers harmonious color designs for kitchens and bathrooms.

sustainable, hard-wearing and decorative, cosentino’s new silestone collection sunlit days represents the company’s most radical commitment to the circular economy

keen to embrace the circular economy, many interior designers and architects today regard sustainability as integral to design. manufacturers of products sourced by architects and designers also strive to minimize waste and reliance on finite resources.

for architects and interior designers, it’s convenient to specify products that meet these criteria. and if these products are durable and aesthetically pleasing, to boot, so much the better.

the imporous, scratch-resistant sunlit days, shown here in terracotta-colored arcilla red provides seamless, multifunctional surfaces in kitchens and bathrooms

cosentino – a leading specialist in surfaces used for construction, based in almería, spain on the mediterranean coast – has made sustainable surfaces for the architecture and interior design worlds since the 1990s.

during that decade, one of cosentino’s key innovations was silestone, a compound composed of over 90% natural quartz, which makes it extraordinarily hard-wearing and provides a seamless surface ideal for bathrooms and cladding on walls and floors – and is truly ground-breaking as a surface used in kitchens. it also allows for the creation of surfaces in new, different colors.

silestone is scratch-resistant, shock-resistant and imporous, and its robust quality renders it relatively sustainable since it’s highly durable. but now cosentino has considerably upped its game with the introduction of its hybriq® and hybriq+ technologies, also used to fabricate silestone – an even more radical contribution to the circular economy.

sunlit days, made using cosentino’s hybriq+ technology, uses less crystalline silica, contains a minimum of 20 per cent recycled materials and retains silestone’s covetable qualities

developed and patented by cosentino’s research and development department, these build on silestone’s many desirable properties but contain less crystalline silica. the first technology, hybriq®, is a new formulation of silestone – a mix of minerals, quartz and recycled materials – made using 100% renewable electrical energy and 99% recycled water, with no spillage of used water. an increasing amount of waste generated during the process is reused when manufacturing more silestone surfaces.

hybriq® also reduces the percentage of crystalline silica. it contains a maximum of up to 10% or up to 50% of the material, depending on the colour. all silestone slabs are now labelled Q10 and Q50 accordingly. ‘our intention was to create a technology that would lower silica levels to the same as those naturally found in natural stones, such as granite, which usually oscillate between 35% to 50%,’ says pablo san román, cosentino’s global brand manager. ‘we wanted to make a material that would be just like natural stones in terms of health and safety as well for those who make it, while ensuring that all the properties and aesthetics of silestone remain intact.’

sunlit days comes in five timeless, mediterranean-inspired hues, including faro white, shown here

hybriq+, a variation on hybriq®, takes cosentino’s ongoing commitment to sustainability, which includes the reduction of waste, a step further. it contains a minimum of 20% recycled materials, such as glass made from broken bottles or windows. ‘the proportion of recycled materials included can go up to 87%, so they can help to achieve excellent LEED and BREEAM ratings,’ says san román.

deploying this technology, cosentino has created a new collection of surfaces called sunlit days, and carefully selected minerals in different colors have determined the palette of this latest silestone collection. these are the terracotta-colored arcilla red, named after clay soil found in almería, cala blue, a limpid blue-grey designed to evoke the vastness of the sea, faro white, which conjures up sun-drenched buildings, cincel grey, a grey designed to match well with both warm and cool tones, and posidonia green, a lively pale green named after spain’s posidonia underwater seagrass meadows which are shrinking fast due to climate change.

sunlit days’ fresh, cool posidonia green shade; carefully selected materials determine each color in this collection

the colors are inspired by cosentino’s proximity to the mediterranean but, in contrast to the brilliant blues traditionally associated with the sea and sky there, they are muted. ‘sunlit Days represents a journey back to the mediterranean, where our company was born,’ says san román.

earthy, subtle colors were chosen for the collection because they are relatively timeless and so more sustainable; the inspiration they take from nature is in keeping with the company’s long-standing concern for the environment. today, cosentino collaborates with an NGO called equilibrio marino, which removes polluting plastics and discarded nets found on the seabed and coasts of the mediterranean.

another subtle sunlit days shade is cala blue, a blue-grey shade that evokes the vastness of the sea

as interior designers appreciate, sunlit days’ surfaces also provide decorative expanses of color that break up otherwise featureless walls. their surfaces incorporate everything from washbasins to splashbacks, giving them a multifunctional appeal, too. as san román points out, this reflects a current trend in interiors: ‘kitchens have evolved to become a multifunctional room where we no longer only cook, but live, work and study.’

most importantly, cosentino’s hybriq+ technology sets a new standard for surfaces used in the construction industry: it represents the brand’s most far-reaching commitment to the circular economy and sustainability as this is the first carbon neutral silestone collection ever created.

guest feature by dominic lutyens / architonic