2084: A Diorama of The Future at Milan Design Week 2024
Designed by MAIA students of the Department of Interior Architecture, HEAD – Genève, 2084, Diorama of the Future is an architectural speculation on the challenges of the post-Anthropocene era. The scenario deals with the reconstruction of a near future in which some cities are submerged, while others endure extreme conditions, direct consequences of the climate emergency. Amidst this turbulence, a diverse group of human and non-human explorers parachutes into 2084, facing the challenge of survival and reconstruction.
Showcased at Milan Design Week 2024, the installation transforms parts of the historic annexes of Villa Bagatti Valsecchi into a dynamic and performative diorama inviting visitors to reflect on contemporary environmental and societal dilemmas. While 19th-century dioramas presented romanticized visions of exotic natures behind glass screens that detached visitors from their complexities, Diorama of the Future inserts visitors right in front of damaged environments, calling for new ecosystemic actions. Within this large device, students take on the role of inhabitants of this changing vivarium, whose evolution problematizes the relationship between representation, agency, and climate change.
all images by Raphaelle Mueller
The camp, the Nap, and the Treat outline 2084’s scenery
Three projects developed by MAIA students of the Department of Interior Architecture, HEAD – Genève, inhabit the installation.
First, the Camp. The torrential rain, the increased exposure to various waves, and, above all, the scorching sun forced them to come up with a tent that was as protective as it was transportable. A ‘Swiss Army knife’ box unfolds into a space dedicated to celebration. A multi-purpose shape conceals the long table on which glasses, plates, and tools clash. The tent is made from shaped anodized aluminum tubes, with a two-layer fabric: aluminum to protect against waves, and black and white striped fabric to protect against water and rain. The trolley is based on a hijacked bicycle trolley, body in heat-welded aluminum, CNC cut, solar panel.
Second, the Nap. A large nomadic bed that could withstand the scorching rays of the sun during the day and sleep anywhere at night. The Nap is a succession of sheaths made from anti-radiation fabric filled with cotton insulation, spherical polycarbonate lamps, ropes, and steel tubes.
Last, the Treat. This ironic rocket was thought up as a kitchen drone by the food giants of the 2080s under the title ‘The Pleasure of Giving.’ The Treat comprises of a cupboard made from solid-stained MDF, covered with anodized aluminum sheets, chromed steel legs, marble, oak, and a hob.
2084: A Diorama of the Future by MAIA students of HEAD – Genève was presented at Milan Design Week 2024
the installation explores post-Anthropocene challenges such as climate-induced extreme conditions
the Treat, an ironic kitchen drone, was designed as a futuristic cooking device by 2080s food giants
the Treat features a combination of solid-stained MDF, anodized aluminum, chromed steel, marble, and oak
the Treat’s design includes a hob, embodying modern cooking technology with an avant-garde aesthetic
the installation inserts visitors in front of damaged environments, encouraging new ecosystemic actions
the Camp is a multi-purpose, transportable tent created to withstand torrential rain, waves, and the scorching sun
the Camp’s central feature is a long table with space for glasses, plates, and tools
the diorama installation serves as a thought-provoking exploration of living and adaptation in a transforming world
the Nap is a large nomadic bed designed to resist scorching sunlight and offer a resting place
project info:
name: 2084: A Diorama of The Future, the new installation by HEAD-Genève at the Milan Design Week 2024
designer: MAIA, Master of Arts in Interior Architecture, Department of Interior Architecture, HEAD – Genève | @HEADGENEVE
MAIA students: Ségolène Davister, Andreas Laskaris, Natalia Krymskaya, Alexandra Miskufova, Valentina Pantalena, Marie Schild, Marie Torrione
lead designers: Youri Kravtchenko, Cécile-Diama Samb, Shizuka Saito, Dany Champion
director of HEAD – Genève: Lada Umstätter
head of interior architecture department: Javier Fernandez-Contreras
deputy head of interior architecture department: Valentina Di Luigi
graphic design: Studio Nüssli+Nuessli
technical team: Charles Cuccu, Adrien Chenevière, Xavier Plantevin
performance director: Natacha De Oliveira
sound: Misha Hering
choreography: Salomé Zielhi
costume: Marc Eicher
photography: Raphaelle Mueller
in partnership with: RTS, Radio Television Suisse
designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
edited by: christina vergopoulou | designboom
