chilean born, new york based artist and designer sebastian errazuriz uses rendered prints and 3D modeled sculptures that have been 3D printed to portray greco-roman style — a pantheon of today’s polarizing technological forces. the beginning of the end, curated by james salomon, will be the US premier of errazuriz’s latest sculptural works. the exhibition will be on view between may, 1 – 24, 2019 at elizabeth collective in new york.
the prophet (steve jobs) | all images courtesy of sebastian errazuriz
errazuriz’s work seeks to comment on the potential repercussions of technology on society today. the artist has has spent the past 5 years following the impact of technology on social economics, geopolitics, nano robotics and biotechnology. he forecasts 50% of current jobs will be displaced by automation in the next decade, creating a wave of global conflict. envisioned as a warning, the beginning of the end features sculptures that depict the new mythology of characters that are shaping our future — such as jeff bezos, elon musk and mark zuckerberg.
the prophet 2 (steve jobs)
the prophet 3 (steve jobs)
beginning of the end
the great oracle (page and brin)
the great oracle (page and brin)
exile and escape (elon musk)
exile and escape (elon musk)
the corporate nation (jeff bezos)
the corporate nation (jeff bezos)
the police state (xi jinping)
the police state (putin)
the police state (trump)
the police state
the collapse of the resistance (snowden)
the collapse of the resistance (snowden)
the new opium (mark zuckerberg)
project info:
artist: sebastian errazuriz
exhibition: the beginning of the end, curated by james salomon
location: elizabeth collective, new york
dates: may, 1 – 24, 2019
3D printing (803)
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