ralf brueck distorts architecture and nature into sci-fi scenarios

ralf brueck distorts architecture and nature into sci-fi scenarios
(above) twin peaks, 2011, 175 x 220cm, c-print, plexiglass, woodframe
all images courtesy of ralf brueck

ralf brueck uses digital effects to manipulate domestic settings and architectural landscapes into science-fiction like scenarios that warp and confuse the senses. producing a surreal and paranormal effect, the series’ ‘dekonstruktion’ and ‘distortion’ are described by stretched buildings, interiors and elements found in nature, transforming commonplace imagery into imagined panoramas. 

DNA, 2012, 209 x 162cm, c-print, plexiglass, woodframe

jeanne d´arc, 2014, 200 x 183cm, c-print, plexiglass, woodframe

stanley kubrick, 2013, 90 x 90cm, c-print, plexiglass, woodframe

manic depression, 2011, 166 x 220, c-print, plexiglass, woodframe

a day after tomorrow, 2011, 158 x 220, c-print, plexiglass, woodframe

transmission, 2011, 170 x 220cm, c-print, plexiglass, woodframe

résistance, 2014, 138 x 160cm, c-print, plexiglass, woodframe

home sweet home, 2014, 120 x 160cm, c-print, plexiglass, woodframe

chain of command, 2015, 179 x 210cm, c-print, plexiglass, woodframe

barcode, 2011, 175 x 220cm, c-print, plexiglass, woodframe

morning glory, 2012, 80x120cm, c-print, plexiglass, woodframe

golden cage, 2011, 210 x 170cm, c-print, plexiglass, woodframe

wirtschaftswunder, 2014, 166 x 206cm, c-print, plexiglass, woodframe

pink mist, 2011, 178 x 220cm, c-print, plexiglass, woodframe