R.I.P. Germain: Avangarda at SculptureCenter
New York-based contemporary art museum SculptureCenter presents R.I.P. Germain’s debut exhibition in the US. Titled R.I.P. Germain: Avangarda, the show features newly crafted sculptures that mimic facades and storefronts, exploring the concept of ‘false fronts’ – spaces that look ordinary but serve alternative purposes, like illegal trading or community gathering spots. Through his work, the UK-based artist examines how exclusionary structures shape alternative spaces and behaviors, shedding light on how marginalized communities create support networks when official resources are inaccessible.
R.I.P. Germain: Avangarda is the artist’s first show in the US | all images courtesy of SculptureCenter
exploring ‘baggy spaces’ with R.I.P. Germain
The artist’s facades mimic the visual language of retail architecture, albeit with subtle deviations, reflecting the layered complexities of the spaces they represent. These ‘baggy spaces,’ as termed by R.I.P. Germain (find more here) and activist-curator Helen Starr, operate by their own rules, catering to unmet community needs while existing discreetly within urban landscapes. R.I.P. Germain directs attention to these hidden spaces accessible only to those familiar with their existence. He explores how navigating these spaces challenges conventional social hierarchies, offering a glimpse into alternative systems of interaction and value exchange. By doing so, the artist questions the entrenched hierarchies within official institutions and their role in perpetuating societal inequalities.
Central to R.I.P. Germain’s exploration is the nuanced understanding of black culture, which he believes is often oversimplified or misunderstood. Through his work, he addresses themes of grief, wealth, music, and masculinity within black communities, aiming to challenge preconceptions and encourage deeper reflection on cultural diversity. In bringing his critical and aesthetically sensitive perspective to New York City, R.I.P. Germain prompts viewers to consider the interplay between subcultures and broader cultural landscapes, urging a reevaluation of entrenched norms and perceptions.
the show features newly crafted sculptures that mimic facades and storefronts
R.I.P. Germain explores the concept of ‘false fronts’ – spaces that look ordinary but serve alternative purposes
the artist’s facades mimic the visual language of retail architecture
these ‘baggy spaces,’ as termed by R.I.P. Germain, operate by their own rules
through his work, the artist addresses themes of grief, wealth, music, and masculinity within black communities
R.I.P. Germain prompts viewers to consider the interplay between subcultures and broader cultural landscapes
project info:
name: R.I.P. Germain: Avangarda
artist: R.I.P. Germain | @ripgermain
location: SculptureCenter, Long Island City, Queens, New York
dates: January 25–March 25, 2024
