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the structure creates a temporary yet functional extension of the courtyard
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a tower-like form is emphasized through solid fabric elements
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the performance stage is positioned at one end of the structure
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the opening exhibition is the largest-ever presentation of the institution’s collection, presenting four perspectives on art history since 1950.
winding stairways and rooftop terraces carve out a labyrinthine journey through the red sol resort.
planning 'house W' as a self-sufficient dwelling in hokkaido, florian busch suggests that 'a house is a plant for living with.'
the project establishes a connection between graça hill and the lower city while integrating with lisbon’s historical and topographical context.
connections: +550