ZKM to exhibit greatest architectural icons by büro ole scheeren this winter

the works of büro ole scheeren to show in germany

German architect Ole Scheeren, widely recognized for the innovative geometries of his high-rises, announces an exhibition of his work in Karlsruhe’s ZKM | Center for Art and Media. The show will present a comprehensive collection of his greatest works which, with their sculptural and monumental designs, aim to ‘form a stage for human life.’ 

Titled ‘Ole Scheeren: Spaces of Life,’ the exhibition will demonstrate the impressive scope of the architect’s projects since founding Büro Ole Scheeren in 2010. These works, many of them now iconic, together demonstrate not only functionality, but the ‘fantasies and emotions’ of those who live and work inside. This search for ‘fantasy’ as a catalyst for design exemplifies what Scheeren refers to as ‘form follows fiction.’

While his designs are driven by these experiential ideas, the architecture is largely shaped by complex and technologically advanced systems. Even with their often enormous dimensions, these complicated systems maintain a focus on ‘specific and unexpected solutions for the lives of people.’

Ole Scheeren Portrait at ZKM | image by Felix Gruenschloss

showcasing the ‘spaces of life’ at zkm

‘Ole Scheeren: Spaces of Life,’ will open this December at the ZKM | Center for Art and Media in Karlsruhe, Germany, marking the architect’s first solo exhibition. The ‘experience of architecture’ will be showcased through a series of immersive installations within the large atriums of the exhibition space.

Peter Weibel, artistic and scientific director of the ZKM, says: ‘Ole Scheeren’s projects are the result of an intensive experimental urban field research. They are stunning aesthetic solutions to social and ecological considerations. Architecture becomes a living organism in which all components, from humans to plants, are participants in an active idea of co-habitation.’

Take a first glimpse at selected works to be showcased this December:

Archipelago Cinema in Thailand, 2012 | image by Piyatat Hemmatat © Buro OS

archipelago cinema

In 2012, Büro Ole Scheeren completed a floating auditorium within a blue lagoon in Thailand. The work is designed in harmony with its idyllic site, embraced in a ‘porous enclosure’ with a backdrop of enormous rocks. He writes: ‘The thought of watching films here seemed surprising: A screen, nestled somewhere between the rocks. And the audience… floating.’

The design of the ‘Archipelago Cinema’ was driven by an imagined experience, in which visitors floated over the sea atop a collection of little islands, or rafts ‘like driftwood.’

CCTV by Rem Koolhaas and Ole Scheeren, Beijing, 2012 | image by Iwan Baan © OMA

cctv

The CCTV Headquarters by Ole Scheeren and Rem Koolhaas has become an icon in Beijing since its completion in 2012. Rather than seeking ultimate height, the team hoped to shape an ‘iconographic constellation’ of two towers that together engage urban context.

These two towers rise from a single, partially underground platform and rejoin at the top to create a cantilevered connection. CCTV is both secured for staff and technology, and open to the public. This is achieved with the integration of a dedicated ‘public loop’ which can be accessed by visitors. Here, the public is invited to learn and view the TV-making process while enjoying sweeping views across the city.

MahaNakhon skyscraper, Thailand, 2016 | image by Maxx Nikonov © Buro OS (see more here)

mahanakhon

MahaNakhon is a 77-story high-rise complex rises 1,030 feet (314 meters) above Bangkok’s central business district. Stands as Thailand’s tallest building, the design dismantles the typical tower and podium typology to create a skyscraper that gradually dissolves as it flows downwards. Cascading indoor/outdoor terraces evoke the shifting protrusions of a mountain landscape.

The ‘cube’, an adjacent freestanding seven-story structure with corresponding terraces, creates an expansive outdoor atrium. This in turn forms a network of social, dining, and leisure spaces that serve both residents and the public. At the front of the tower, MahaNakhon square is designed as a public plaza for planned and spontaneous cultural events.

the Interlace by OMA / Ole Scheeren, Singapore, 2014 | image by Iwan Baan © Buro OS (see more here)

the interlace

Singaporean apartment complex ‘the Interlace‘ opened its door to residents in 2014, six years after the project was first commissioned. The development is made up of 31 apartment blocks, each six stories tall, and comprises an extensive and integrated network of private and communal spaces. Rather than clusters of isolated towers, the scheme reinterprets ideas behind contemporary living, with horizontally connected volumes establishing a better connected and less isolated residential environment.

Stacked in a hexagonal arrangement, the units are articulated around eight generously proportioned courtyards forming a unified topography where terraced gardens are positioned across the stepped volumes. Blocks are arranged on four main ‘superlevels’ with three ‘peaks’ of 24 stories, while multi-story openings allow light and air to weave into and through the landscape. Imagined as a ‘vertical village’, the 170,000 square meter project provides 1,040 residential units that are both spacious and reasonably priced.

Empire City, Vietnam, 2017 | image © Buro OS (see more here)

empire city

The concept of these high-rise towers and public spaces known as ’Empire City’ was first unveiled in 2017, promising to join some of the tallest in Vietnam‘s largest city, Ho Chi Minh. The high-rise proposal includes three skyscrapers soaring high above a mountain-shaped, garden-like podium, reaching a height of nearly 1,100 feet (333 meters).

Empire City is described as ‘a symbiotic vision of nature and living within the space of the city’ at the center of which its main structure and largest building will lie. The 88-story tower will feature apartments, offices, and a hotel. Large public spaces include landscaped viewing platforms from the ground to the rooftop along with an observation deck called ‘cloud space’ at the very top.

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DUO towers, Singapore, 2018 | image by Iwan Baan © Buro OS

Guardian Art Center near Beijing's Forbidden City | image by Iwan Baan © Buro OS

Fifteen Fifteen, Vancouver | by Binyan Studios © Buro OS

duo towers

Completed in 2018 in Singapore, this pair of sculptural towers was designed to ‘knit together a previously disparate part of the city’. Named ‘DUO’, the project comprises a diverse mix of functions articulated around a 24-hour public plaza. Carved to create a series of circular urban spaces — including open-air gardens, walkways, cafés, and restaurants — the towers’ curved façades feature a honeycomb shading system. ‘Instead of thinking about the building as just an object in its own right, we have defined the towers through examining urban space and reintegrating the area’s existing architecture into something new,’ comments Ole Scheeren.