noguchi’s bronze sculptures from ‘wakai hito’ (1950) to ‘remembrance’ (1944)
‘woman’ in cast iron, 1956
the room takes the visitor through a selection of abstract metallic structures dating from 1982-84
‘akari’ light installation in bamboo, paper & iron, 1952-86
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the removable four-toed ‘gloves’ of the superfinger superstar can also be used as bags or be attached to other shoes.
by upcycling mass-produced furniture, YET architecture and BDM architects blurs the lines between standardization and personalization.
yamaha design laboratory's concept project upcycles rare woods originally intended for marimba tone bars and pianos.