zhang gong
image courtesy klein sun gallery, NY
© zhang gong
zhang gong was born in 1959 in beijing, china. his work crosses the mediums of animation, photography and painting – for which he is best known. his paintings often feature cartoon characters both famous and of his own making in settings that explore art history and popular culture in both asia and the west. he currently works between china and the USA . he is represented by klein sun gallery.
designboom: what made you want to become an artist?
zhang gong: I realized that I wanted to become an artist ever since I began to have some initial knowledge and understanding of art.
DB: who or what has been the biggest influence on your approach to art?
ZG: the biggest influence on my creative process has been the people from my maturation process, emerging step by step. therefore, there is no one specific person. in 1992, the shoeni gallery in hong kong held my premiere solo exhibition, which proved to be the most important event in terms of my creative work thus far.
the raft of medusa no.2, 2013
acrylic on canvas, 130 x 197 cm
image courtesy klein sun gallery, NY
© zhang gong
B-29 bomber, 2008
acrylic on canvas, 170 x 330 cm
image courtesy klein sun gallery, NY
© zhang gong
cafe no.2, 2011
acrylic on canvas, 120 x 220cm
image courtesy klein sun gallery, NY
© zhang gong
waiting for spring, 2012
acrylic on canvas, 120 x 175 cm
image courtesy klein sun gallery, NY
© zhang gong
expulsion from eden, 2013
acrylic on canvas, 110 x 170 cm
image courtesy klein sun gallery, NY
© zhang gong
winter in central park, 2011
acrylic on canvas, 80 x 120cm
image courtesy klein sun gallery, NY
© zhang gong
picnic in hawaii, 2013
acrylic on canvas, 100 x 215cm
image courtesy klein sun gallery, NY
© zhang gong
gathering in la grande jatte, 2012
acrylic on canvas, 80 x 120 cm
image courtesy klein sun gallery, NY
© zhang gong
golden beach, 2011
acrylic on canvas, 60 x 75cm
image courtesy klein sun gallery, NY
© zhang gong
DB: how would you describe your approach to someone unfamiliar with your work?
ZG: my work, all along, has undergone continuous study, continuous reflection, and, continuous change – as a result my art is always subject to transformation.
DB: who would you describe the evolution of your work?
ZG: my first pieces of work came into fruition during the time when china was closed to all foreign contact and was thus influenced by the restrictive nature of the region and that work has the intense vestige of that period. my artwork today has developed during the thirty years since china opened its doors to the world – allowing for uninterrupted understanding regarding the contemporary art world, the absorption of that nourishment, and the opportunity to fuse all of this into the midst of my own artwork.
DB: which piece or collection has given you the most satisfaction?
ZG: the paintings that I created of new york and beijing, due to the fact that new york is my most beloved city in the world.
new york city, 2011
acrylic on canvas
image courtesy klein sun gallery, NY
© zhang gong
new york city, 2011
acrylic on canvas, 120 x 220cm
image courtesy klein sun gallery, NY
© zhang gong
new york morning, 2011
acrylic on canvas, 54x64cm
image courtesy klein sun gallery, NY
© zhang gong
new york starry night, 2010
acrylic on canvas, 120 x 220 cm
image courtesy klein sun gallery, NY
© zhang gong
DB: do you have any superstitious beliefs or rules that you live by?
ZG: I have strong principles. life, I believe, has ecumenical value, freedom, justice, equality, and universal love. work, I believe, operates in line with the wheel of karma.
DB: what would you like to accomplish in the near future?
ZG: I would like to complete a batch of good work that can further prove myself as an artist.
DB: what’s your personal motto?
ZG: my personal motto is jean-paul sartre’s existentialist doctrine: choice and action.