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CHAPTER SPECTATOR AND SPECTACLE
the hacienda must be built: on spectacle and wonder in a disenchanted world
what if we are not overwhelmed by spectacle, but starved of it? our days are measured, optimized and increasingly predictable. we have never been exposed to more images, and rarely felt less enchanted by them. what feels missing is the kind of spectacle that cannot be scrolled past, with real stakes and an uncertain ending. in spectator and spectacle we look at the radical discotheques, the museum galleries staged like psychodramas, and the garments that turn the body into a walking act of rebellion. this chapter asks how wonder gets built, and how it might return some mystery to a world that has measured most of it away.
by sofia lekka angelopoulou
christopher glass made plaid explode and skyscrapers tilt for boots riley’s latest film
from his work on spike jonze's apple ad to the jungle book's live action sets, the production designer reveals how to create movie magic.
freddie yauner on what his mirror mask reveals about looking
the london-based artist on looking beyond the self, becoming part of the spectacle, and why an analog object found an unexpected life online.
geoffrey bawa and the materialization of an architect’s gaze on his country
from the lunuganga garden to the sri lankan parliament, the retrospective at the vitra design museum reflects a shifting relationship between history, modernity, and place.

when exhibitions become formats, what happens to the experience of art?
a new generation of exhibitions is adapting the museum to the way we already consume media, raising questions about what happens to the artwork along the way.

we watched marina abramović die seven times in a shadowy cisterne beneath copenhagen
inside a damp underground reservoir, viewers follow operatic deaths from screen to screen, accompanied by a soprano's haunting voice.
'as a spectator, you also have a responsibility': fabio cherstich on the boundaries of art and theater
the italian director's unique approach to performance has taken him to new york archives, miu miu performances in shanghai, and even the countryside home of the late painter, lucia di luciano.
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andreas angelidakis
what does an artist listen to while building imaginary worlds? for andreas angelidakis, music sits alongside a practice that moves between sculpture, installation, architecture, digital culture and mythology. based in athens, the greek artist draws on the ruins, stories and contradictions of the city around him while looking equally toward virtual worlds, pop culture and speculative futures.

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the more we are given chances to express ourselves without limitation, the more the world can go forward.
the Italian artist on how art can change the world, the importance of freedom, and why the ‘impossible’ is often just the beginning.
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