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[FEATURED]
CHAPTER POSTHUMAN UTOPIAS
the planet is in the room: mutualism by design
what does a house look like when it is designed from the perspective of a cat? what shape does a seawall take when the client is an oyster, a garden when it is planted for a bee’s vision rather than ours, or a bridge whose only users are deer and mountain lions? in posthuman utopias, we ask what a world looks like when we stop designing on the planet, and learn to design with it.
by sofia lekka angelopoulouin this video game, moths and wolves play out a nearby climate future
alice bucknell's, the alluvials, take players through burning forests and a sand-covered los angeles to explore a speculative future through non-human lenses.
‘dismantling should be designed, not improvised’: THISS studio on radical reuse in architecture
from salvaged barn beams to an upturned boat, the london practice lets available materials shape the design while embracing uncertainty as part of the process.
podcast: architecture that listens through nature and site intelligence
the room for utopias podcast debuts with indian architects and designers examining an architecture that begins by listening rather than imposing.
álvaro urbano brings casa cueva’s botanical memories to life at museo jumex in mexico city
in an exclusive interview, the spanish artist discusses helen fowler o’gorman’s overlooked legacy, the possibilities of architectural fiction, and why a sculpted leaf can have an attitude.
these glowing amber sculptures begin with a natural polymer produced by tiny insects
ori orisun merhav explores a future of multispecies design, where biological processes inform how we manufacture and inhabit the world.
this horse-shaped headset asks designers to see the world through animal eyes
simulating equine vision, the headset invites humans to reconsider how we design for and interact with other species.
spectator and spectacle
modes of habitation
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paola pivi
for the italian artist, music can be a portal to the past. a familiar melody brings back a long-forgotten journey, a television ritual from the 1990s, or a feeling that seems to exist outside time. she shares the songs and sounds that have stayed with her, reflects on the music that finds its way into everyday life, and explains why creativity sometimes needs room for silence.
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develop a friendly relationship with chaos and you can eventually trust chance
the french ceramicist on embracing unpredictability and learning to trust the beauty of chance.
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Compasso d’Oro International Design Award 2027 deadline: january 20th, 2027