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CHAPTER SPECTATOR AND SPECTACLE
the hacienda must be built: on spectacle and wonder in a disenchanted world
what if we are not overwhelmed by spectacle, but starved of it? our days are measured, optimized and increasingly predictable. we have never been exposed to more images, and rarely felt less enchanted by them. what feels missing is the kind of spectacle that cannot be scrolled past, with real stakes and an uncertain ending. in spectator and spectacle we look at the radical discotheques, the museum galleries staged like psychodramas, and the garments that turn the body into a walking act of rebellion. this chapter asks how wonder gets built, and how it might return some mystery to a world that has measured most of it away.
by sofia lekka angelopoulou
‘the body is my canvas, tool, and medium’: lucy mcrae discusses identity and the spaces we carry
from swallowable cosmetics to speculative costumes, the artist and designer uses worldbuilding to make emerging technologies tangible, asking how they might reshape our bodies, identities, and relationships with the future.
architectural photography as an experience of space - david altrath
in a personal reflection on his practice, the architectural photographer considers what happens between experiencing a building in person and translating that experience into a photograph.
carsten höller’s goggles turn the world upside down to challenge perception
inspired by a 19th-century psychology experiment, the wearable artwork turns familiar surroundings into an unsettling test of perception and movement.

chen wei on the dance floor as a stage for imagined ecstasy
in his guest essay, the artist reflects on the elusive nature of ecstasy, drawing from nightlife, staged photography, personal memories, and stories shared by friends to examine how pleasure is performed, imagined, and reconstructed.

what you'll see (in 3D) in the peter zumthor documentary by wim wenders
developed over fourteen years, the film traces the chapels, memorials, and cultural spaces crafted by the pritzker prize-winning architect.
tim walker traces five decades of queer activism through portraiture in 'fairyland'
from pioneering activists and healthcare workers to drag performers and musicians, 250 portraits trace how queer communities have shaped british cultural life through resistance, solidarity, and self-expression.
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play is my small form of resistance, not only against design, but against the world in general.
the french designer on humor, intuition, and play as a way of resisting convention and expectations.
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