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CHAPTER SPECTATOR AND SPECTACLE
the hacienda must be built: on spectacle and wonder in a disenchanted world
what if we are not overwhelmed by spectacle, but starved of it? our days are measured, optimized and increasingly predictable. we have never been exposed to more images, and rarely felt less enchanted by them. what feels missing is the kind of spectacle that cannot be scrolled past, with real stakes and an uncertain ending. in spectator and spectacle we look at the radical discotheques, the museum galleries staged like psychodramas, and the garments that turn the body into a walking act of rebellion. this chapter asks how wonder gets built, and how it might return some mystery to a world that has measured most of it away.
by sofia lekka angelopoulou
jean-baptiste fastrez turns an inflatable boat and a wall fixing into mirrors to look and to be looked at
'I like the paradox of an object that has such a strong physical presence, yet whose image is almost entirely made up of whatever surrounds it,' says the french designer, who has spent more than a decade of his practice reworking the mirror through different forms and materials.
łukasz twarkowski turns theater into a live cinematic spectacle
the polish director builds immersive stage environments in which live performance, moving images, and shifting scenography challenge how audiences experience theater.
j'ai vu: jenny holzer’s monumental light projections transform the musée d’orsay in paris
the american artist digs into musée d’orsay’s archives, transforming historical writings into monumental LED installations, light projections, engraved stone sculptures, and metallic paintings that confront the conflicts and contradictions of the past.

‘art must reflect the times we live in’: ibrahim mahama on his fondation cartier exhibition
from abandoned factories in ghana to his major exhibition in paris, the artist uses repair to rethink how we relate to history, labor, and one another, arguing that what we inherit can become a resource for building something new.

dennis vanderbroeck creates settings for the moments that bring us together
moving between fashion, theater, and music, the dutch spatial designer treats architecture as a framework for encounter, where the relationship between performers and audiences matters as much as the space itself.
projection mapping and performances make the night come alive at signal festival
co-founder martin pošta reflects on the origins of the digital art festival that transforms prague’s streets, landmarks, and historic buildings with light, sound, and performance.
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kengo kuma
a friendship with ryuichi sakamoto, memories of japan, and the rhythms encountered during travels in africa all find their way into kengo kuma’s playlist. the japanese architect shares the music that stays with him and reflects on its connection to his approach to architecture.

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my memories are usually just single images, every important thing in my life is an image
the greek filmmaker on the relationship between photography, memory, and the images that stay with us.
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