formafantasma transforms mount etna lava into experimental furniture

formafantasma’s de natura fossilium transforms mount etna lava into experimental furniture
‘de natura fossilium’ coffee tables
all images courtesy studio formafantasma

‘when mount etna erupted on 20th november 2013, the dramatic event was broadcast by a haunting noise of rumbling stones and a vast plume of dark smoke that completely obscured the sun. after the smoke, black earthen debris began showering down over the villages and cities within the immediate vicinity of the mountain. from the highway through to the greek theatre in taormina, everything was covered with black. mount etna is a mine without miners – it is excavating itself to expose its raw materials.’

italian designers andrea trimarchi and simone farresin of studio formafantasma, in collaboration with gallery libby sellers, present ‘de natura fossilium’ – an investigation into the cultures surrounding this particularly sicilian experience to bring both the landscape and the forces of nature together as facilities for production. as in their previous projects ‘autarchy’ and ‘moulding tradition’, formafantasma questions the link between tradition and local culture and the relationship between objects and the idea of cultural heritage.

de natura fossilium big coffee table

presented during milan design week 2014, ‘de natura fossilium’ is a project that refuses to accept locality as touristic entertainment. the wide-range of experiments figuratively become different expeditions, where the landscape is not passively contemplated but restlessly sampled, melted, blown, woven, cast and milled. from the more familiar use of basalt stone to their extreme experiments with lava in the production of glass and the use of lavic fibers for textile, the material explorations and the resulting objects realize the full potential of the lava as a material for design.

de natura fossilium small coffee table

in homage to italian designer ettore sottsass, an avid frequenter of the volcanic aeolian islands, this body of work takes on a linear, even brutalist form. geometric volumes have been carved from basalt and combined with fissure-like structural brass elements to produce stools, coffee tables and a clock. the latter is deconstructed into three basalt horizontal plates to represent the passing of hours, minutes and seconds.

 de natura fossilium small coffee table detail

de natura fossilium pernice stool

while the collection focuses on a specific locality, the project has been developed in collaboration with a number of european experts: from the CNC cutting of basalt in sicily to the scientific analysis of lavic stones at the INGV of catania, through the experiments with lava as glass at both the glass museum in leerdam and berengo studio in murano, to the brass developments with carl aubock in vienna and the textile works with the textile museum in tilburg.

 de natura fossilium basalt stool

de natura fossilium boxes

lavic glass, procured by remelting etna’s rocks, has been mouth-blown into unique vessels or cast into box-like structures that purposefully allude to the illegal dwellings and assorted buildings that have developed at the foot of the volcano.

 de natura fossilium box detail

 de natura fossilium box detail

de natura fossilium clocks

the clock itself is deconstructed into three basalt horizontal plates to represent the passing of hours, minutes and seconds. a brass movement spins around the plates, shifting three different ages of lavic sand that have been sampled from three different sites on stromboli.

de natura fossilium clock detail

de natura fossilium vases

de natura fossilium construction detail

the solitary glass boxes and mysterious black buildings have been finished with such archetypal detailing as cotton ribbons and murano glass plaques. as a sustainable alternative to carbon fiber, formafantasma’s use of lavic fibre has effectively re-appropriated a conventionally high tech material for artisanal ends.

de natura fossilium mirror

by returning the rocks to their original molten state formafantasma are reversing the natural timeline of the material and forcing a dialogue between the natural and manmade. a black, obsidian mirror that is suspended on a brass structure and balanced by lavic rocks continues this line of narrative, as the semi-precious glass like stone is produced only when molten lava is in contact with water.

de natura fossilium bowls

de natura fossilium bowl detail

formafantasma have also investigated the tensile properties of lavic fiber and woven two different wall hangings. these pieces combine illustrative references to both the greek mythological gods of mount etna and the microscopic views of lavic rock’s geological strata as ascertained through the designers’ collaboration with the volcanologist centre of catania (INGV). the collection is also accompanied by a photographic series by long time collaborator luisa zanzani. all works are part of an edition, available exclusively through gallery libby sellers, london.

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