david adjaye's 'form, heft, material' exhibition travels to moscow

david adjaye’s retrospective exhibition ‘form, heft, material’ has traveled to russia, where it is currently on view at moscow’s garage museum — the contemporary art venue completed by OMA in 2015. the show, which debuted at the haus der kunst in munich in 2015 before moving to the art institute of chicago, offers insight into the architect’s distinct approach, highlighting the ways he seeks to integrate local geographies and cultural legacies within his designs.

‘form heft material’ is on view at moscow’s garage museum
image by alexey naroditsky © garage museum of contemporary art (also main image)

‘form, heft, material’ is not only the first exhibition of a major architect at garage museum, but it is also the first time an architect has intervened with the OMA-designed structure, with adjaye associates conceiving the exhibition design. ‘the new installation has been designed in conversation with the building,’ explains adjaye. ‘an exterior interior design derived from some of my building’s façade treatments plays on ‘fragments’ and ties the existing architecture together creating a sense of light and pace within garage’s historical modernist building.’

the occasion marks the first time an architect has intervened with the OMA-designed structure
image by alexey naroditsky © garage museum of contemporary art

organized by kate fowle, garage chief curator, in collaboration with assistant curator andrey misiano, the presentation showcases more than 20 examples of adjaye’s built works, while providing rare access to the architect’s ongoing research strategies. each devoted to a particular aspect of adjaye’s practice, the retrospective is organized into four sections: living spaces, democracy of knowledge, african metropolitan architecture, and asiapolis.

the presentation showcases more than 20 examples of adjaye’s built works
image by alexey naroditsky © garage museum of contemporary art

the first area, living spaces, collates the private homes which first brought adjaye international acclaim, while democracy of knowledge concentrates on public projects, presenting furniture and external façade finishes. this section also houses scale models of several projects, including the NMAAHC in washington DC, and the latvia museum of contemporary art.

the retrospective is organized into four sections, each devoted to a particular aspect of the architect’s practice
image by alexey naroditsky © garage museum of contemporary art

african metropolitan architecture is devoted to adjaye’s research into the architecture of 53 capital cities across the african continent, with asiapolis continuing this emphasis on research. the new initiative, developed in collaboration with MARCH architecture school in moscow, focuses on the 14 capitals of the former soviet republics as well as 12 key industrial cities in russia.

living spaces collates the private homes which first brought adjaye international acclaim
image by alexey naroditsky © garage museum of contemporary art

‘I am thrilled to bring form, heft, material to moscow, a city that was critical to the development of my approach to working in diverse geographies across the globe,’ says david adjaye. ‘garage is an incredible institution with a strong international perspective and capacity for stimulating interdisciplinary dialogue which has made them the ideal partner for this exhibition. I am honored to be part of the museum’s deepening engagement with architecture.’

the exhibition remains on view until july 30, 2017.

david adjaye’s ‘form, heft, material’ is the first exhibition of a major architect at garage museum
image by dmitry shumov © garage museum of contemporary art

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david adjaye's 'form, heft, material' exhibition travels to OMA's garage art museum in moscow

david adjaye (118)

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